Àlex Pastor: But we had some actors who liked to be a little more method and they refused to have see-through blindfolds and they wanted to be able to go blind through the scene, which … whatever helps the actor, we’re game,ĭavid, for any disaster movie, the human interactions are important. So in those cases, we would call it the Ninja Turtles blindfold, which was like a blindfold with like two Ninja Turtle-style holes. Sometimes they even have holes on it that, then with CGI, you patch.ĭavid Pastor: Especially for the little girl, you know? Like the little girl, it would be too dangerous to have her on a place where she could fall down and basically kill herself. So sometimes they can see … they’re a little see-through. There are scenes that are too risky to perform actually blindfolded. It depends on the actors.ĭavid Pastor: And it depends on the scene. So it was up to us to find a way of delivering something that was different and then really approach the myth of Bird Box from a completely different perspective.Īlex, for the blindfolded scenes, are the actors actually blindfolded? I couldn’t tell. Come up with something that you’re excited about.” Like Alex was saying, as directors, we didn’t want to just redo the original or give the audience something that they had already seen. But other than that, it was one of those situations where, “Knock yourself out, guys. Netflix only knew that they wanted to have a Bird Box story set in Spain, and obviously that story had to respect the rules of the original and be consistent with it. Were you given a kind of franchise bible of what you could and couldn’t do, or did you have free reign? How was it navigating that process?ĭavid Pastor: Well, I think that what attracted us to this project as filmmakers was the freedom that we had. I was curious about the creative process.
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